Popcorn Perspectives with Danny Minton – Week of March 29, 2021

Popcorn Perspectives with Danny Minton

Week of March 29, 2021

Godzilla Vs. Kong
Rated PG-13 for destruction, brief language, intense creature violence
Rotten Tomatoes Score: 80%
In theaters and streaming on HBO Max

With the previous Godzilla and King Kong movies leading up to this big event, Godzilla goes after Kong since, well you know, there can only be one alpha titan. With humans turning to Kong as their savior, they do what they can to protect him and turn the tide in his favor. But when humans go a step too far (I’m sure you’ll see it coming a mile away), the final battle, which is basically the back half of the movie, takes a turn to change the course of the titans. If you are looking for an awesome plot and invigorating dialog to set up the nonstop action, you’ve come to the wrong place. The plot is silly at all turns, just as it was in the previous films, leaving you constantly repeating the phrase “well that makes no sense!” But fortunately the set pieces are where the budget went and the fights are as big and intense as you would expect from such a franchise. And since most people will be able to watch with their already-in-place HBO Max subscription, you will get your money’s worth and then some. Honestly, even though I thought the film was mediocre, I might just pay to see it in a theater as I am fully vaccinated and dying to get my butt in a cushy seat to see a giant tentpole flick again. It’s not great, but honestly, at this point it doesn’t need to be. C+

Earwig and the Witch
Rated PG
Rotten Tomatoes Score: 34%
Available on Disc and Streaming

From Goro Miyazaki, son of legendary animator Hayao Miyazaki, comes Studio Ghibli’s first computer-animated feature film which features an orphaned witch living in an orphanage, only to be scooped up by another witch and a strange magical man named The Mandrake to tend their home. But being a stubborn and industrious little girl, Earwig does everything she can to figure out their secrets and mysteries. I’m sure Goro has been well-trained and possesses some of his father’s creativity, but there isn’t a lot of talent on display here. The animation is flimsy and disappointing, reminiscent of some of the lousy animation we see in many cheaply-made straight to Netflix toons. And the storytelling just isn’t up to snuff either. There are some nice moments here and there and the film is at least unpredictable. But it certainly isn’t worthy of the house it comes from as it feels incomplete and rushed, like the story-crafting and art took a backseat to the need to produce a computer-animated project. C-