The Lighthouse Rated R for sexual content, nudity, violence, disturbing images, and some language Rotten Tomatoes Score: 92% Available on Disc and Streaming From Robert Eggers, the writer/director of 2016’s wildly disturbing horror pic The Witch, comes this very different, but still disturbing tale about two lighthouse keepers (Robert Pattinson and Willem Dafoe) on a remote island in New England in the late 1800s. While not nearly as frightening as it is sold, it makes up for that in pure oddity. Artistically, the film is in a beautiful and hypnotic black and white that doesn’t get in the way of the storytelling but rather enhances the ambience the director was going for. And since it is essentially a two-man show, it’s nice to have such talented actors in the mix. Willem Dafoe is especially great as the veteran old lighthouse master. Unfortunately, the film takes on such a strange personality that you feel like you are witnessing something from a Ripley’s museum rather than a narrative feature. For shear creativity and its unique vibe, I have to say this is a weird tale worth watching but be prepared that what you will experience is anything but ordinary. B
Joker Rated R for strong bloody violence, disturbing behavior, language and brief sexual images Rotten Tomatoes Score: 69% Available on Disc and Streaming Certainly the most polarizing film of the year, Joker has managed to make a lot of people angry while at the same time exciting audiences enough to become the highest-grossing R rated film ever. I’m solidly in the first camp. The story follows the genesis of the infamous DC villain as he struggles with mental illness and discovers his life’s purpose in creating chaos. It brushes up with Batman but never solidly enters his universe. I have to fully admit that it is a well-made film with a tremendous performance by Joaquin Phoenix. But the material is sick and depraved, and in my opinion, potentially dangerous. I felt ill while watching it, and at the same time extremely paranoid at every little movement seen out of the corner of my eye in the theater. Watching at home will make you feel safer, but I just can’t help but fear that this movie will serve as inspiration, rather than entertainment, for a small section of its audience. I just don’t think there’s any place for a movie like this in today’s world. F
2019, in my opinion, was a rather mediocre year for cinema. Sure we had some mega hits like Endgame and Rise of Skywalker, but many of the films that should have been good let us down and the end-of-year quality we are used to turned out to be a lot of buzz without the substance to back it up. I was fortunate in that I managed to skip a lot of the true stinkers. If you ask why Cats and The Fanatic aren’t on the worst list – the answer is simple: I played hooky from those screenings. Sometimes I actually do make good choices it turns out. I did manage to see a few great films, and lots of good ones. My favorite this year just happens to be:
1) Rocketman (On Disc and Streaming). It’s one thing to make a Bohemian Rhapsody-like biopic about an iconic rock star, but to turn it into an all-out dance-in-the-streets musical that works is kind of a miracle. This very Rated R take on the life of Elton John looks and feels like the truth. And quite honestly, I wouldn’t be at all surprised if this fantasia is exactly how he remembers it. If I had to guess, the underrated Taron Egerton has been positioning himself for this project for years, and he was right to do so as he is perfect here in every way. As is the the moving story and the exceptional way it is presented here. Perhaps it could have made a few more bucks had it been a little less graphic and real, but its authenticity and vulnerability are what makes the movie truly special.
2) 1917 (In Theaters). This WWI picture follows two young British soldiers as they are given an impossible mission: deliver a message as fast as you can, deep into enemy territory, to your brother, in order to prevent 1600 soldiers from walking straight into a German trap. The story doesn’t exactly feel original here, but the storytelling most definitely does. And to make it more exciting and authentic – the film is shot in real-time, by famed cinematographer Roger Deakins, to give the appearance of being filmed in one continuous shot with not cuts. It is a spectacular and unique experience and likely to give American Beauty director Sam Mendes his second Oscar win.
3) Once Upon a Time… In Hollywood (On Disc and Streaming). If anyone will be competing with Mendes for awards this season, it will be Quentin Tarantino with his masterpiece about Hollywood in the summer of 69. Starring Leonardo DiCaprio and Brad Pitt as a mediocre actor and his stuntman, the film takes us on a weird and wonderful exploration of an infamous time, providing the most fun you’ll ever have watching a movie about the Manson murders. QT’s writing and story-crafting give the audience a journey they probably wouldn’t normally want to go on only to find themselves joyous that they went in the end. And while it has a dark and scary side to it, it is the closest thing to a comedy we’ve ever seen from him with a healthy mix of uncomfortable laughs and pure comedic genius.
4) Knives Out (In Theaters). Star Wars: The Last Jedi director Rian Johnson, along with an incredible iconic cast including Daniel Craig, Chris Evans, Jamie Lee Curtis, Don Johnson, Michael Shannon and Christopher Plumber take on this murder mystery which follows the death of a famous writer and the chaos that ensues amongst his greedy and contentious family. While the thought of James Bond taking on Captain America sounded interesting to me, the trailer didn’t exactly have me excited. But once I started watching, I grew a big goofy grin on my face that didn’t go away until the credits. This is a smart and fun nail-biter with terrific chemistry from one heck of a great ensemble.
5) The Irishman (On Netflix). Netflix had a spectacular year and they could very easily walk away with some major hardware come awards time. In their highest-profile movie, Robert DeNiro stars as Frank Sheeran, the fixer to Al Pacino’s Jimmy Hoffa in this epic gangster drama. Yes the film is long at 209 minutes, but director Martin Scorsese takes his time in a way he’s never been able to do with other studios, creating the rich tapestry that is this little-known side to a much bigger story. What Netflix was able to provide for us here was not just a masterclass in acting and filmmaking, but also a really important film within the mafia genre.
6) The Two Popes (On Netflix). Based on a true story, but in no way associated with the Catholic church, this film follows the succession of Popes from Benedict to Francis (played here by Anthony Hopkins and Jonathan Pryce) as they both try to do what is right in light of scandal and self-doubt within the complex political system that is the Vatican. While I’m not a Catholic, I have admired Pope Francis, as well as the church itself, since he took his post in 2013. I thought it was a brave choice given the struggles the church has gone through for the past two decades. I was quite surprised to learn that this beautiful and complicated story from City of God director Fernando Meirelles and The Theory of Everything writer Anthony McCarten had no backing or even acknowledgement from the church, and while many of the filmmakers behind it are non-Christians, the film is not full of the expected negativity and cynicism, but rather progress and hope. It’s a softer and more gentle film than you might expect, but it is nonetheless powerful in its delivery.
7) Bombshell (In Theaters). Truly one of the biggest scandals of our time was when the head of Fox News, Roger Ailes, was brought down by a large group of credible and brave women who decided it was time for the bad behavior of the men in the industry to stop. This film stars Charlize Theron as Megyn Kelly, Nicole Kidman as Gretchen Carlson and John Lithgow as Roger Ailes, all told from the minds of director Jay Roach (Austin Powers) and writer Charles Randolph (The Big Short) who creatively tell us how they think it all went down. Sure – part of the reason I loved this film was a beautiful feeling of schadenfreude – where I admit I drew pleasure in Ailes’s pain as he is largely responsible for much of the mess and division our country is in today. It’s also nice to see a real-life villain lose his power in such a shameful way. But more importantly, it is a great thing to remember the victims and see them come out of the fire with a huge counter victory, setting the stage for a world where women have less of these issues in the future and hoping for the day that they go away entirely.
8) Dolemite is My Name (on Netflix). Yes another Netflix film. They made a commitment to produce awards-worthy films in 2019 and this one is just terrific. Eddie Murphy stars as the real-life Rudy Ray Moore, who in the 1970’s changed comedy forever with his underground character Dolemite, only to later to independently create one of the most treasured films of the Blaxploitation era: 1975’s Dolemite. It’s been a while since we’ve seen Murphy grace the screen, but he is back in a big way with this surprisingly heartwarming comedy from such an unlikely source. Once the kids have gone to sleep, you should do yourself the favor of watching this not-so-hidden gem that is sure to make you lose your breath in hysterics many times while at the same time gaining a lesson in the history of black comedy and cinema.
9) Uncut Gems (In Theaters). Adam Sandler puts on the performance of his career in this crime thriller about a charismatic New York jeweler whose constant need for the next big score finds him in an uncomfortable mix of precarious situations, mostly due to his bad instincts, poor choice of business partners and his unattainable ambitions. The frenetic energy and perpetual discomfort make this a tough one to sit through and impossible to look away. I wouldn’t call it fun, but it certainly is memorable experience worth taking.
10) Yesterday (On Disc and Streaming). My last pick here is a just simply a great feel-good movie from one of my favorite directors (Danny Boyle) and one of my favorite screenwriters (Richard Curtis) making a movie about my favorite band (The Beatles). In this fantasy, a down-on-his-luck singer songwriter (Himesh Patel) is hit by a bus during a blackout, only to wake up from his concussion to discover the Beatles never existed and he feels compelled to be the person to introduce the world to their music. Yes it is cheesy, but the cheese is glorious throughout and it is still one of the most entertaining films I went to see in 2019.
Aladdin, Avengers: Endgame, Crawl, Ford v Ferrari, Jojo Rabbit, The King, Midsommar, The Peanut Butter Falcon, Queen & Slim, Toy Story 4
1) Wonder Park. A little girl creates a massive and crazy amusement park in her head, proving that you can do anything with creativity. Except this isn’t creative – it’s chaotic – and we are not amused.
2) Glass. This unwanted and unneeded sequel for both Split and Unbreakable sets a hero and his villains against each other in one of the dumbest final battles in the history of final battles.
3) Dumbo. Most of Disney’s live-action remakes have been really well-done, but this one about the infamous flying elephant never makes it off the ground, mostly due to completely ignoring its source material.
4) What Men Want. In it’s attempt to role reverse Mel Gibson’s 2001 one note comedy “What Women Want”, “What Men Want” places Taraji P. Henson as a woman who can hear men’s inner thoughts. But instead of becoming funny and relevant, the film becomes sexist and desperate for laughs it can’t get.
5) Dark Phoenix. It’s a shame that a franchise like X-Men that started with such promise has been torn to pieces by this dark and heavy sequel which should have never been made. If only they could have dreamed up a mutant with the ability to zap this film out of existence.
Star Wars: The Rise of Skywalker Rated PG-13 for sci-fi violence and action In Theaters This ninth and final chapter in the Star Wars saga as we know it follows our heroes Rey, Finn, Poe, Chewbacca, C-3P0 and BB8 as they attempt to stop Kylo Ren as well the returned Emperor Palpatine from crushing the rebellion and taking over the entirety of the universe. From the opening moments of the film we discover that Palpatine is not only back, but that he also never went away – he has always been there propping up the dark side from behind the scenes. This little tidbit, and the only major plot point I will give away here, sets a new tone for the adventure as the audience and the heroes simultaneously learn the secrets which Lucasfilm and Disney have been hiding from us since The Force Awakens was released in 2015. There is a lot to like in this monstrosity of a film. First, I loved that our main heroes are all together for their final journey. I hated seeing them split apart in the last film’s convoluted story and failed subplots. Here, the adventure seems better constructed, more dangerous, and as thrilling as you can imagine. Where the film falters a bit is in the overuse of side stories and a running time not able to support them. Where most films would feel overly long at 155 minutes, I would have easily welcomed 180 if it meant that the multitude of important stories were all more carefully crafted and the pacing provided enough time to understand them. This project felt truly rushed throughout. I’m sure with tons of conversations and multiple viewings, I will have this film down; but upon first watch, there are moments when I was truly scratching my head. That being said, we get closure here in the right way, honoring both the characters we have grown up to love and the audience that cares deeply about them. A-
Downton Abbey Rated PG for thematic elements, some suggestive material, and language Rotten Tomatoes Score: 84% Available on Disc and Streaming Set after the events of the much-beloved PBS television series, the owners and staff of the beautiful English estate Downton Abbey discover that they will be granted a royal visit from the King and Queen, forcing them to prepare for perfection, and then play dirty in order to get the chance to avoid being sidelined and serve the royals to the best of their ability. If you haven’t seen the show, this might be a tough one and frankly not very interesting for you. But for fans, which there are many, there is a lot of joy to be had here as you get to revisit old friends and watch them show you why you fell in love in the first place. That being said, I’d like to give this film two grades. For fans and familiars: A; for non-fans: C
Abominable Rated PG for some action and mild humor Rotten Tomatoes Score: 81% Available on Disc and Streaming In the last year, Hollywood has released three animated films about yetis, and with this newest Dreamworks release, we finally get the last of them. In this tale, a young girl from Shanghai discovers a yeti, and, along with her friends, decide to escort the creature back to his home in the mountains. Setting this film apart is that the yeti has powerful magical abilities that can transform the physical world around him. The movie has an undoubtedly beautiful aesthetic and the story is, at the very least, creative. What gets old quickly is that the movie tries desperately to be like Kubo and the Two Strings and it simply didn’t need to be. The music is nice, but it gets in the way of the narrative rather than enhancing it. C+
Ad Astra Rated PG-13 for some violence and bloody images, and for brief strong language Rotten Tomatoes Score: 84% Available on Disc and Streaming Brad Pitt plays an astronaut from the not so distant future who is sent on a top secret mission to the outer regions of the solar system when the government is convinced that his father and fellow astronaut, Tommy Lee Jones, is causing massive destruction on Earth from his actions in space. The film has some remarkable special effects and its subject is taken seriously, but ultimately the miscasting of Pitt and Jones make the film a tough sell. Both are fantastic actors (Pitt will almost surely win the Oscar this year for Once Upon a Time In Hollywood), but these actors needed to bring a bigger emotional pull to their characters that I don’t think they are capable of. Still, I loved the ambition of the film and the set pieces are some of the most impressive of the year. So I think it is a film worth watching, but one that could have been so much better. B-
Once Upon a Time in Hollywood Rated R for language throughout, some strong graphic violence, drug use, and sexual references Rotten Tomatoes Score: 85% Available on Disc and Streaming One of the big films to beat this awards season is Quentin Tarantino’s 9th movie which explores 1969 Hollywood, and chiefly gives a new spin to what we know about the Manson murders. The film follows a popular star, played by Leonardo DiCaprio, who spends most of his time with his friend and stunt man, Brad Pitt, as he tries to cling on to whatever success he can muster up. The story is wildly all over the place, but when it comes together at the end, it does so in such a beautiful manner that it leaves you with a fantastic experience. It’s like a crazy recipe with ingredients that shouldn’t mix, providing an unbelievable and unforgettable meal. DiCaprio is at the top of his game here in the lead, but Brad Pitt steals the show in a role that is almost certain to win him an Oscar for best supporting actor. There are many who had problems with the last act due to its complete lack of historical accuracy, but I love the brave and brilliant approach Tarantino takes and found myself having way more fun than I signed up for. After all, I went in thinking this was a movie about the Manson family and left smiling after a barrage of hysterical comedy and thrilling surprises. This is certainly one of QT’s best projects to date and one he will be known for for decades to come. A+
Freaks Rated NR for violence and some language Rotten Tomatoes Score: 88% Available on Disc and Streaming This indie horror sci-fi film follows a young girl who has been locked inside of her house, protected by her father (Emile Hirsch), who has never allowed her to step outside. But as you journey into the story, you discover that the father is not just paranoid, but rather the outside world isn’t what it seems and deadly dangers lurk everywhere. What starts out as just weird tale full of paranoia, turns into a slick and unique little sci-fi pic. Helping the project is the talented cast including Hirsch and Bruce Dern who both elevate the project into being extremely watchable for those fans of the genre. The story is a bit hard to follow, but it is certainly engaging and interesting, even if its peculiarities abound. B-
Dark Waters Rated PG-13 for thematic content, some disturbing images and strong language Rotten Tomatoes Score: 93% In Theaters In Mark Ruffalo’s second and unrelated film about fighting du Pont (recall 2014’s Foxcatcher), Mark plays a lawyer who takes on the du Pont organization after he discovers that their pan coating product Teflon was having deadly effects, especially on the families that lived near the production facility. Truly a David vs Goliath story, these types of tales are important for public consumption as they teach us many lessons while entertaining us, namely that they prove that corporations do not always police themselves and, much of the time, do what is best for the corporation without any regard to who is hurt along the way. The movie, through a heavy-handed one-sided approach attacks du Pont like a bulldog and while history proves that they deserve this treatment, the script could have been a little less overzealous. At times the film feels like a strong and heavy drama, and at others it begins to feel like a television movie of the week. And while Ruffalo’s performance is pitch perfect, much of the talented cast, including Anne Hathaway, Tim Robbins and Victor Garber seem off their game. Still, I think this is a worth-while film to watch with a great lesson that needs to be reflected upon as our corporations become more and more powerful with very little oversight due to the too-frequent deregulations we have been exposed to over the last several years. B-
Ready or Not Rated R for violence, bloody images, language throughout, and some drug use Rotten Tomatoes Score: 88% Available on Disc and Streaming Certainly up there with the recent release Crawl in regards to guilty pleasures of the year is this relatively low-budget horror film about a young girl who marries into an eccentric family only to find out that on her wedding night she must play a game of hide and go seek, where if they find her, they kill her. The movie doesn’t pretend to be anything but what it is, but by the end it is glorious fun as you watch the street smart young beauty turn the tides on her captors. It has a warped sense of humor with plenty of over-the-top performances by its talented cast. B+
Where’d You Go, Bernadette Rated PG-13 for some strong language and drug material Rotten Tomatoes Score: 49% Available on Disc and Streaming Richard Linklater’s latest follows Cate Blanchett as an eccentric architect who has lost her creative spark as she meanders about her life with her family in suburban Seattle. But upon a series of crazy and unfortunate events, she goes on a crazy journey to hopefully bring her back to life again. Quite honestly I was a little bored with much of the film, which is ironic given the story, but the tale has such a fun and inspiring ending that I found myself glad I made it through. The performances are all very good and I still have a love for Linklater’s story-crafting. While not one of his best, it is one worth watching. B
Game of Thrones: Season Eight Rotten Tomatoes Score: 58% Available on Disc and Streaming Game of Thrones had a full head of steam on it heading into its eighth and final season, but the last two episodes made everyone so angry that unfortunately it has a bit of a black eye right now. Sure I would have loved to have seen a different turn of events. I had an ending in my head that would have made the series go out in a glorious blaze of glory. But they didn’t ask me, or you, and instead gave the show a finale, even if it wasn’t the one it deserved. Still, there are moments to love in this final season, such as the breathtaking “The Long Night” which might be a great place to stop watching the show if you haven’t been through it already by now. B-
Dora and the Lost City of Gold Rated PG for action and some impolite humor Rotten Tomatoes Score: 84% Available on Disc and Streaming I have always went out of my way to avoid the Dora animated series when my son used to watch it, so I wasn’t exactly thrilled to see this live-action recreation. But the positive reviews and cast had my interest peaked at least. Here Dora leaves the jungle to live with relatives in the city and go to a real high school, when kidnappers steal her and her friends, taking them back to the jungle, forcing them into a perilous adventure. So I am proof that you don’t have to be a fan of the show to like the movie, and I am thankful for that. While the story is predictable, the self-effacing nature of the project, as well as a few well-crafted jokes here and there, make the movie at least entertaining enough that you don’t have to leave the room when the kids watch it. It’s certainly not the best family film of the year, but it is quite aDORAble. B-
Blinded By the Light Rated PG-13 for thematic material and language including some ethnic slurs Rotten Tomatoes Score: 89% With a similar tone to the recent Beatles spin Yesterday, Blinded by the Light follows the apparent true story of a young Pakistani student from England whose life changes forever when he discovers the music of Bruce Springsteen. While his family struggles with money and extreme racism, Springsteen, through the music, helps him cope and attempt to find a way out in order to find his own voice through his writing and actions. The film’s biggest problem is it’s over-the-top sentimentality concerning the music. To me, this became a huge obstacle in getting anything out of it. By half-way through I was already tired of how much this guys worships The Boss. I was neither entertained nor inspired. Perhaps it’s because I’ve never been a Bruce fan and therefore I wasn’t able to properly connect. But really I think it’s because the film’s infatuation with the music made the storytelling come off as completely contrived. C
Dolemite is My Name Rated R for some sexuality, full nudity and brief language Rotten Tomatoes Score: 97% Streaming on Netflix Eddie Murphy is back and bigger than ever in this biopic of Rudy Ray Moore, a struggling comedian who invents an urban foul-mouthed phenomenon named Dolemite and wants to put all of his money and credibility on the line to bring his creation to the big screen in a movie that would go on to change the Blaxploitation genre forever. What could have been just a racy comedy turns out to be surprisingly moving as Murphy manages to add a complexity to Moore that you don’t see coming. And to add fuel to the fire is a tremendous cast including Wesley Snipes, Keegan-Michael Key and a star-making performance from Da’Vine Joy Randolph, whose name I will predict will be on the shortlist for best-supporting actress come years end. The result is an extremely funny adult comedy with a heart of gold that will win over anyone willing to commit the time to watch it. A
Popcorn Perspectives with Danny Minton Week of November 12, 2019
The Irishman Rated R for pervasive language and strong violence Rotten Tomatoes Score: 99% In Theaters; Streaming on Netflix November 27 In Martin Scorsese’s latest epic mob film, Robert De Niro plays Frank “The Irishman” Sheeran, an Army veteran who starts with the Teamsters, moves his way up through the mafia (with the help of his friend and mob boss Joe Pesci, to eventually find himself working as the right-hand man for famed Teamster boss Jimmy Hoffa (Al Pacino). Throughout decades of stories, we see the arc of Sheeran from a young man to his dying days. From day one, this was a controversial film, but not for the reasons you may think. First off, Scorsese, instead of using younger actors to play Sheeran and Hoffa, chose to have Industrial Light and Magic digitize their faces to look the appropriate ages. Secondly, the film was made by Netflix rather than a big studio, largely because Netflix volunteered to foot the reported $200 million dollar budget to make it, without flinching at the three and a half hour running time. My only qualms come from both of these things. While the faces looked good, both of these actors had old-man bodies and movements. When De Niro is involved with anything physical (i.e. fighting or throwing guns in the river), it looks like an arthritic, older man with a young man’s face. Also, the running time is long for a theatrical viewing. I enjoyed the film immensely, but my bladder felt otherwise. This might be the perfect reason to watch on Netflix, in a home theater, as you can pause it anytime you like for a bio break. Aside from these two items, the film more than makes up for it in storytelling and acting. The performances from the plethora of amazing actors are tremendous. I can easily see De Niro and Pacino being seriously talked about for Oscar wins and Pesci could sneak in as well for his understated performance. Also, the screenplay by Steve Zaillian (Schindler’s List) is just brilliant. There is so much dialog, that on the outside seems like empty time-filler, but in reality creates a deep dive into the characters and the actions about to happen. And then of course there is Scorsese who is at the top of his game in regards to directing the story. I am going to guess that the same two problems mentioned here will come up in conversations about the film, but this ultimately should not take away from this monumentally epic film. A
The Peanut Butter Falcon Rated PG-13 for thematic content, language throughout, some violence and smoking Rotten Tomatoes Score: 95% Available on disc and streaming A young man with Down syndrome escapes from his nursing home in order to become a professional wrestler, and on the way befriends a criminal with a heart of gold (Shia LaBeouf) as they try to help him accomplish his dream. Like a modern-day Tom Sawyer, the story is absolutely fascinating with many nice surprises throughout. Making the film sing is the terrific cast including LaBeouf, newcomer Zack Gottsagen and Dakota Johnson. A-
The Angry Birds Movie 2 Rated PG for rude humor and action Rotten Tomatoes Score: 73% Available on Disc and Streaming While I absolutely hated the first Angry Birds movie, I heard decent things about this new one, so I went in with an open mind. The story finds the birds and pigs in the need to team up to take on a newly-discovered third island, ruled by an Eagle who wants to kill them all and take their land. While not nearly as bad as the first film, this one is far from good and will still, more-than-likely, be a movie you let you kids watch on their own. I think I chuckled three times, which I admit is an improvement, but I never want to be in the same room with it again. C
Spirited Away: Collector’s Edition Rotten Tomatoes Score: 97% This much beloved Oscar-winning animated film from the legendary Hayao Miyazaki is getting a nice repackaging this week with this new set including blu-ray, cd soundtrack by Joe Hasaishi and a new rather thick booklet. The story follows a young girl swept away into a weird fantasy world after her parents are turned into pigs. It’s a bizarre universe that will appeal to your eyes, ears and heart as you wander through her Alice in Wonderland-like journey. And for those like me who are in to movie music, this score is one of the best in recent years. A
Terminator: Dark Fate Rated R for violence throughout, language and brief nudity Rotten Tomatoes Score: 67% at time of writing In Theaters The beauty of the Terminator franchise is that with time travel, none of the storylines are set in stone, creating the freedom to build new stories whenever and wherever they want. This new edition, produced by James Cameron and directed by Tim Miller (Deadpool) starts off where T2 left off, beginning with the revelation that a new terminator kills young John Connor in Mexico right after the events of that story. Now decades later, Sarah Connor travels around Mexico killing new terminators as they arise, when she comes across an enhanced human (Mackenzie Davis) protecting a new person (Natalia Reyes), who plays some important part in the future of mankind, from a seemingly invincible terminator called a Rev-9 (Gabriel Luna). There is a lot to like in this new adventure, including huge set pieces and non-stop action, as well as the return of Linda Hamilton and Arnold Schwarzenegger. It also has a great sense of humor and social/political relevance as it dives into our country’s immigration issues as the heroes try to cross the border into the U.S. If you can turn your brain off long enough, you will really enjoy the fun and the creativity on display. What bothered me was all of the things that didn’t make sense, like an aging, bearded terminator robot, the lack of tools necessary to kill even an older model robot, and the improvised third act at the dam which they would like to make you think they planned on all along. Still, the special effects were as fantastic as you would think they would be and you can have a good time watching it. It blows my mind that they would have waited until now to release the film, as this would have made the perfect summer movie in a summer almost completely lacking in them. B
David Crosby: Remember My Name Rated R for language, drug material and brief nudity Rotten Tomatoes Score: 92% Available on Disc and Streaming This documentary follows the life of famed rock star David Crosby of Crosby, Stills, Nash and Young, tracing his beginnings in the industry through his struggles with addiction, depression and self-destructive behaviors. Through his sometimes uncomfortable interviews here, the film gives an honest third-party viewpoint while at the same time allowing Crosby to provide his self-examination of the many previous decades. Being that the music was before my time, I only had the songs in my head and not the image of people and events behind those songs, so I personally found the film to be a wonderful Rock history lesson. But the film also works as a psychological investigation into the life of a very interesting man with a sordid past and a great story to tell. B+
Popcorn Perspectives with Danny Minton Week of October 21, 2019
The Lion King Rated PG for sequences of violence and peril, and some thematic elements Rotten Tomatoes Score: 53% Available on Disc and Streaming Disney continues its trend here of recreating its most beloved animated movies into live-action extravaganzas with this creative vision from director John Favreau (The Jungle Book, Iron Man). Unlike some of Disney’s recent releases such as Dumbo and Aladdin, most of the original here has been left alone in regard to story and song, with just a freshening up by the amazingly talented voice cast including Beyonce Knowles, Donald Glover, Chiwetel Ejiofor and Seth Rogen, with the iconic James Earl Jones returning as the voice of Mufasa. Personally I can’t understand why the critics panned this one so harshly as I found myself to be thoroughly entertained. I would have liked the film to have been more closely in tune with the stage production as the added songs there are a fantastic enhancement of the original material, but I’m perfectly happy with this version. It will never replace the original, but it is a beautifully made facsimile of it. B+
Stuber Rated R for violence and language throughout, some sexual references and brief graphic nudity Rotten Tomatoes Score: 42% Available on Disc and Streaming This Hollywood retread stars the amazingly funny Kumail Nanjiani as a struggling Uber driver who happens to pick up a cop (Dave Bautista) who drags him along on a violent and dangerous mission. While there is some good comedy, the suspension of disbelief is really taxing here and the material seems like a step down for Nanjiani, who I would expect to see in much higher-end projects, instead of low-brow and brainless action comedy like this which we’ve seen more times than we are comfortable with. He tries desperately hard to elevate the film, but ultimately this is just a tired old idea with some new clothes that don’t fit well. C-
The Art of Self-Defense Rated R for violence, sexual content, graphic nudity and language Rotten Tomatoes Score: 83% Available on Disc and Streaming This ultra-quirky project stars Jesse Eisenberg as a helpless man whose weakness leaves him the victim of a major crime when a motorcycle gang senselessly beats him within an inch of his life. In an effort to gain confidence and be able to protect himself from future violent occurrences, he begins to take karate lessons from a peculiar little studio with a group of eclectic students and strange rules. If you enjoy films by such writers as Yorgos Lanthimos and Charlie Kaufmann, this one is right up your alley. The world our characters live in looks familiar at first, but you quickly come to the realization that they are in a completely foreign universe as situations escalate. In this case, I really enjoyed the creativity and nuance on display, and while the film’s dark turn is disturbing and weird, I found it interesting to say the least. I do wonder if there is deeper meaning to the film as I merely took it at surface level, so there might be future viewings involved should I get in the mood. B
Popcorn Perspectives with Danny Minton
Week of October 7, 2019
Joker Rated R for strong bloody violence, disturbing behavior, language and brief sexual images Rotten Tomatoes Score: 69% In Theaters From Todd Phillips, the mind that brought us The Hangover and Old School, comes this psychological drama about the origin of the The Joker, sans Batman, sort of. Set in what looks like the 70s in Gotham, Arthur Fleck (Joaquin Phoenix) is a disturbed young man, suffering from we now know as pseudobulbar affect, a disease that causes its victims episodes of uncontrollable laughter and crying. But after a depressing series of life events and a moment of criminal revenge on a train, he takes on a new persona, creating a chaotic chain reaction through Gotham. At first this film really started to get to me, and I found it to be quite fascinating. I have to admit that it is extremely well-made, but I was quite unhappy with the twists leading to the ending. I would have really liked a frightening villain backstory, but we have here is simply a frightening movie. Personally, films like this make me ill. I would put it in with movies like Taxi Driver and Natural Born Killers, and not only would I rather not see them, I would have preferred they were never made in the first place. I will admit that I was feeling paranoia due to thoughts about the killings in Colorado during Dark Knight, but sitting in the theater watching, I couldn’t help but feel vulnerable and scared due to environmental factors such as people laughing during scenes that just weren’t funny and folks leaving the theater for extended lengths, obviously now just to use the restroom. I became hyper aware of everything around me and I left the theater feeling sick and far from entertained. What should have been a fascinating and riveting movie-going experience, turned into two hours of my life I would not like to repeat. My biggest fear is that films like this set people off, making them cold to the illness and the violence. There was a moment in the film where I thought they might deliver more of a Batman film to us, but the end result turned out to just be a sick, depraved journey I would have rather not taken. F
Midsommar Rated R for disturbing ritualistic violence and grisly images, strong sexual content, graphic nudity, drug use and language Rotten Tomatoes Score: 83% Available on Disc and Streaming Hot on the heels from his hit horror flick Hereditary, Ari Aster brings us yet another disturbing tale about a group of friends who travel to Sweden to experience the summer ceremonies and rituals of a rural village. Once there, they find themselves both disturbed and intrigued by the events they experience. While the entire film is extremely unsettling, the story is just twisted enough to make you want to be an observer and thankful not to be a participant. I never found myself scared per se, but I was creeped-out effectively. What really struck was the authenticity of the production and the stellar performances by the convincing and brave cast of actors. This one is certainly not for everyone, but this type of horror is much easier to enjoy than the slashers that still pervade theaters. B
Annabelle Comes Home Rated R for horror violence and terror Rotten Tomatoes Score: 65% Available on Disc and Streaming I have to admit that I felt a little betrayed by this new film in the Annabelle franchise, mostly because they sold it as a Conjuring film rather than a hybrid. I do love the young actress McKenna Grace, and she does a fine job of carrying the picture about the scariest doll in the universe, but I wanted something more and certainly something deeper. The film takes place as the Warren’s daughter is left home with babysitters, only to get in trouble when one of the girls allows Annabelle out of her protective display case. The relatively young cast does a good enough job and there are a couple of creepy moments, but the authenticity of the first two Conjuring films just doesn’t exist here, and the film suffers from it. In the end it just turns into another Annabelle film, devoid of the promises it gave leading up to it. C+
Anna and the Apocalypse Rated R for zombie violence and gore, language, and some sexual material Rotten Tomatoes Score: 78% Available on Disc and Streaming In the attempt to create yet another smash up of genres, the team behind this Scottish indie decided on a teenage-zombie-comedy-musical. Surprisingly, the songs and singers are all high quality, making this experience far better than you would think possible. Sure the blood and gore get old quickly, but the overall creativity on display wins the day. I wouldn’t be at all surprised if this started popping up in small stage live productions once the home audience begins to catch on to it. B-