Popcorn Perspectives – Week of April 1, 2019

Popcorn Perspectives with Danny Minton

Week of April 1, 2019

Rated PG-13 for intense sequences of action, language, and suggestive material
Rotten Tomatoes Score: 90%
In Theaters

With DC trying to fill out their theatrical comic universe, it was a great shock that Shazam! was going to get the big screen treatment, but the studio brilliantly came up with a tongue-in-cheek plot to make up for the cheesiness of its subject. Here a young boy living in a foster home finds himself mysteriously whisked away to a hidden cave where a wizard turns him into an adult and gives him super powers. Not knowing what to do with those powers, or even the extent of them, he does what many a fifteen-year-old would do: buy beer and go to a strip club. But when a super villain comes along to steal his powers and possibly harm his foster family, he grows up and faces the challenge head on. When I heard that this was one of the most talked-about films at Comic Con this past year, I thought it was a joke, but sure enough – Warner Brothers and DC took a huge chance and I think it will pay off big time. The movie is thrilling, funny, juvenile (in a good way) and warm-hearted. I think the trailers make it look a lot more kid-friendly than it actually is, but even its scary nature is more like Scooby Doo or Ghost Busters than Dark Knight. The movie is quite literally an unexpected blast! B+

Rated PG-13 for sequences of sci-fi action violence
Rotten Tomatoes Score: 93%
Available on Disc and Streaming

This Transformers prequel lays out the story of Bumblebee’s introduction to Earth as he escapes the planet Cybertron and hides out in a junk yard until a young girl (Hailee Steinfeld) takes him home in the hopes of fixing him up. Of course the two make friends and all is well until a couple of evil Decepticons find him and attempt to destroy him before he can accomplish his mission. To me, this is a real head-scratcher. While it did fairly well world-wide, in the US it had a relatively poor showing. And yet this is easily the best Transformers movie we’ve been given to date, with a fun retro-style story, better than decent acting, a plot that at least makes sense and a reasonable running time. It’s the film we’ve been waiting for since the franchise started – and yet few folks went to see it. Perhaps its audience is a bit burnt out due to the overlong and mediocre offerings we’ve been given so far. But hopefully a larger audience will get to watch it now that it’s hitting living rooms. B+

The Mule
Rated R for language throughout and brief sexuality/nudity
Rotten Tomatoes Score 70%
Available on Disc and Streaming

This latest adventure from director and star Clint Eastwood follows a retiree with familial regrets who is offered a job from a Mexican cartel to carry drugs across the country in his inconspicuous truck. Seeing an opportunity to buy his way back into his family’s lives, he does more and more trips, each with increasing danger. In the bones of this project is a decent movie with an interesting story, but unfortunately, for every good decision in the process, a bad one exists also. The film feels sloppy at times, showing the mark of a director who just wants to do one take and move on, rather than get the scene right. Also, the family moments feel contrived and messy, showing signs of bad writing throughout. Finally, and I’m sure I’ll get roasted for saying this, but Eastwood might not have been the best choice to star here. He has some great moments, but there is inconsistency in his acting, just as there is in his directing. Like he just wants to get though with the damned thing and call it quits for the day. C

Popcorn Perspectives – Week of March 25, 2019

Popcorn Perspectives with Danny Minton

Week of March 25, 2019

Rated PG for peril/action/some thematic elements, and brief mild language
Rotten Tomatoes Score: 48%
In Theaters

Having grown up on Disney’s 1941 animated classic, I was quite excited to see what director Tim Burton could do with a live-action version. In this new version, gone are the songs we know and love, as well as the talking animals. Instead, Dumbo is just a baby elephant with big ears and the ability to fly. When it gets out that he can fly, a sinister villain steps in to exploit the magical creature. On its own, without the existence of the original, this might not be such a bad film. I was disappointed with the lack of any kind of emotion from the children, and, honestly, the poor acting from the very talented cast, but the special effects and storytelling at the very least make the movie interesting and somewhat engaging. But this film doesn’t exist in a vacuum, and even though the classic is now 80 years old, I would bet there is hardly a kid alive that didn’t enjoy and cherish it during their childhood. So with so many fond memories from so many people, I just don’t see why they had to mess with it so much. If an elephant can fly, why can’t animals talk? And sing? Sure there are some scenes that might need changing, like the racist crows or the drunken dreams, but a more faithful recreation with some creative enhancements would have been a vast improvement from this production. And with one of the most imaginative minds in Hollywood directing, I’m disappointed that we didn’t get a much more enchanted experience. C

If Beale Street Could Talk
Rated R for language and some sexual content
Rotten Tomatoes Score: 95%
Available on Disc and Streaming

I have to admit that I was shocked when this stunning film from Moonlight director Barry Jenkins didn’t make the final cut for an Oscar nomination for best picture, but I was thrilled when they at least gave Regina King the well-deserved trophy for best supporting actress. The story, set in 1970’s Harlem, follows a young couple in love (KiKi Layne and Stephan James) who are about to start a family when a corrupt cop charges James with a rape that he couldn’t have possibly committed. So instead of focusing on their life together, Kiki and her mother (Regina King) must sacrifice their lives in an attempt to clear his name. The story itself is authentically crafted, providing a sense of empathy for its audience as they start to understand the gravitas of what many in our country have had to struggle with for decades. But equally important is the artistic presentation that flows like visual poetry as the cinematography, storytelling and music weave their way into your heart. A

Rated PG-13 for sequences of sci-fi violence and action, and for some language
Rotten Tomatoes Score: 65%
Available on Disc and Streaming

While we’ve seen Jason Momoa as Aquaman twice before, Warner Brothers and DC decided to finally give him his origin story. Starting from the moment of conception onward, we find out everything we need to know about little Arthur Curry and how he becomes king of the sea. Thanks to HBO’s show Entourage, Aquaman for a decade has been more of a Hollywood joke than a possibility, but The Conjuring director James Wan took on the challenge and the results brought in big-time bucks at the box office. The film does have its problems, especially in its lame human villain Black Manta, who comes off as a boring Lex Luther wannabe. Also, due to a quest Aquaman must go on to achieve his destiny, the film meanders into unnecessary directions. But due to the charismatic and extremely fun-to-watch Momoa, the movie turns out to be rather enjoyable. While it isn’t nearly as good as the Wonder Woman genesis movie, both have proved to be a vast improvement over the Justice League flicks we’ve seen so far. B-

Popcorn Perspectives with Danny Minton – Week of March 18, 2019

Spider-Man: Into the Spider-Verse
Rated PG for frenetic sequences of animated action violence, thematic elements, and mild language
Rotten Tomatoes Score: 97%
Available on Disc and Streaming

Until mid-December, everyone in the industry was convinced that the race for best animated film would be a tight one between Incredibles 2 and Isle of Dogs. Then came Into the Spider-Verse which threw us all for a loop. They hardly screened it for critics groups and press, and they didn’t send out screeners, so most of us paid for a ticket to see it. And it was truly one of the greatest investments all year, and after seeing it, there was little surprise that it ended up winning. In this new Spider-man, a young minority teen name Miles Morales has been bitten by a radioactive spider only to find that he is now one of several Spider-people (and Spider-pig) brought into his version of New York City after Kingpin and Dr. Octopus conduct an experiment that goes wrong. The result is an electrifying experience with a pervasive energy that is unexpected and absolutely addictive. The story line and animation style are genius and the result is an unforgettable superhero adventure worthy of every accolade that has been thrust upon it. It’s not often that animation takes a huge leap forward. The last time was when CG became mainstream after decades of hand-drawn. Now we’ve reach an almost indescribable new level in animated storytelling. A

Mary Poppins Returns
Rated PG for some mild thematic elements and brief action
Rotten Tomatoes Score: 79%
Available on Disc and Streaming

Yet another one of my favorite films of the year is this follow up to the Disney masterpiece Mary Poppins. Now year later, the kids have grown up and must find a way to keep their home when the bank wants to illegally foreclose on them. With the help of Mary Poppins (now played by Emily Blunt) and a young lamplighter (Lin-Manuel Miranda) the family attempts to protect their home while singing many happy songs to keep the family happy, entertained and engaged. While the film is still very obviously Disney, the new filmmakers created here a modern musical with the same classic sensibilities that the audience would not only appreciate but demand as well. The songs and imagination behind them are absolutely wonderful and memorable, and while the film didn’t get a tremendous amount of Oscar love, that by no means takes away from its power and overall enjoyment. A

Popcorn Perspectives – Week of December 3, 2018

Popcorn Perspectives with Danny Minton

Week of December 3, 2018

Mission: Impossible – Fallout
Rated PG-13 for violence and intense sequences of action, and for brief strong language
Rotten Tomatoes Score: 97%
Available on disc and streaming
Tom Cruise is back again as Ethan Hunt as his IMF team is assigned to another deadly mission to save the world, this time from possible nuclear annihilation. While all of the previous 5 films have been strong in the action and plot department, this one seems to be especially on-point with another confusing-yet-fun script, humongous set pieces and some of the most spectacular stunts you’ve ever seen. The special features on the disc showcase the literally death-defying work by Cruise as well as the film’s focus on its beautiful backdrop of Paris. I’m still not a fan of Cruise, mainly due to his crazy off-screen personality, but once again he impresses me as an actor who does everything he possibly can to earn his impossible-sized paychecks. A-

The Nun
Rated R for terror, violence, and disturbing/bloody images
Rotten Tomatoes Score: 27%
Available on disc and streaming
When the nun scared the daylights out of us in The Conjuring 2 (a well-respected box-office hit) it was a given that the studio would want to milk the nun for all she is worth, just like they had with the doll Annabelle from the first Conjuring. Here we get the origin story as the Vatican sends investigators to an Abbey in Romania where a young nun has taken her own life. Just as in the other spinoffs, the writing isn’t nearly as good as the stories lack the authenticity that the Conjuring franchise has blessed us with. The acting here is better than expected with Oscar-nominee Demian Bichir as Father Burke, but the film relies on stupid jumps and unnecessary carnage. There is little here to actually haunt your dreams, but lots to annoy you for wasting 90 minutes. C-

The Happytime Murders
Rated R for strong crude and sexual content and language throughout, and some drug material
Rotten Tomatoes Score: 23%
Available on disc and streaming
When I first heard that Jim Henson’s son Brian Henson was making an R-rated muppet movie with Melissa McCarthy, I have to admit that I was very excited. These kinds of projects can be creative and fun and I had a very open mind. The story takes place in a world where man and puppet coexist, and when a series of heinous murders takes place, two cops – one puppet and one human (McCarthy) have to team up to solve it. Unfortunately the film just doesn’t work as a comedy, which is the only thing that could have saved it. It relies on a disgusting and degrading sense of humor that only on occasion can be misconstrued as clever. It’s such a shame that a great idea like this, as well as a talented cast of humans and creatures, was put to such a waste. McCarthy has since rescued her career with what will likely be an Oscar-nominated turn in “Can You Ever Forgive Me,” but hopefully irreparable damage hasn’t been done to the Hansen name and brand. D+

Popcorn Perspectives – Week of November 19, 2018

Popcorn Perspectives with Danny Minton

Week of November 19, 2018

Fantastic Beasts: The Crimes of Grindelwald
Rated PG-13 for some sequences of fantasy action
Rotten Tomatoes Score: 44%
In Theaters
What started out as a side story for the Harry Potter series has taken on a life of its own in this second film of the Fantastic Beasts franchise. In this new adventure, the infamous pre-Voldemort baddie Grindelwald (Johnny Depp) has escaped from Azkaban Prison in the hope of going to war with the muggle world. Meanwhile, Newt Scamander and a younger Albus Dumbledore (Eddie Redmayne and Jude Law respectively) are doing everything in their power to stop him. I am impressed with the storytelling and ambition on display here, especially since it came under the guise of much more frivolous pretenses. And as you’d expect, the production values are top notch as the special effects keep improving and the imagination has stayed true to the original Potter vision. What sadly lacks here is energy. While it is directed by David Yates, who is on his sixth Harry Potter film here, and the screenplay is written by JK Rowling herself, the film has humongous pacing problems throughout and at times is just plain boring. I would still recommend it to fans as it will prove to be a necessary piece of the overall puzzle of its universe, but it’s certainly one of the least impressive films from this franchise so far. C+

Crazy Rich Asians
Rated PG-13 for some suggestive content and language
Rotten Tomatoes Score: 92%
Available on Disc and Streaming
I love a good romantic comedy (there are so few these days) so I was excited and surprised when this Asian romcom hit theaters this summer. Based on the best-selling books by Kevin Kwan, it follows a young NYU professor who finds out that her new fiancé comes from a super rich family in Singapore who is determined to break up their relationship once they travel there. With a clever screenplay that keeps you on your toes and an absolutely hysterical supporting cast, the movie turns out to be a winner on all levels. I’m not sure if the planned sequels will be able to churn out this much joy, but I’m glad to have this one for now. A

The Meg
Rated PG-13 for action/peril, bloody images and some language
Rotten Tomatoes Score: 45%
Available on Disc and Streaming
When the world’s greatest deep-sea diver (Jason Statham) is hired to rescue the crew of a submersible at the bottom of the Mariana trench, they come under attack, and allow the escape of, the thought-to-be-extinct 75 foot Megalodon shark, who just can’t wait to eat the oceans full of people. This is a true guilty pleasure with very little in the way of horror and only mild thrills to be found. The special effects are pretty cheesy but the actors pull it off, even when you can tell they hate being on set, which is apparently the case with Statham according to his rantings after the film’s theatrical release. That being said, The Meg turns in a mindless yet somewhat fun adventure. You won’t regret wasting your time on it but you certainly won’t consider two hours well-spent either. C

Popcorn Perspectives – Week of November 5, 2018

Popcorn Perspectives with Danny Minton

Week of November 5, 2018

Incredibles 2
Rated PG for action sequences and some brief mild language
Rotten Tomatoes Score: 94%
Available on Disc and Streaming
They say that good things come to those who wait, and nothing could be more true since we’ve been waiting 14 long years to see what comes next for Pixar’s superhero family. Picking up right where they left off, superheroes are still considered the bad guys when a billionaire tries to help them reintegrate into society as the heroes they are, one at a time beginning with Elastigirl, leaving Mr Incredible to stay at home to take care of the kids. But when a new supervillain enters the scene with a plot to take over the world, it’s up to the family, along with Frozone, to set things right again. While not as good as the original, this is certainly a strong showing and still one of the best movies of the year. The plot is a bit predictable, but it is executed with style leaving the audience thrilled and out of breath. A-

Rated R for language throughout, including racial epithets, and for disturbing/violent material and some sexual references
Rotten Tomatoes Score: 95%
Available on Disc and Streaming
Possibly Director Spike Lee’s finest creation to date is this timely dramedy based on a true story about a black cop in the 70’s (John David Washington) who infiltrates the KKK in Colorado Springs to expose and stop them from carrying off a terrorist act. Using a fellow white cop, played by Adam Driver, they both risk their careers and their lives to do what they feel is right. The story is almost too crazy to be real, making the tale that much more enjoyable as you impatiently wait to see what can possibly happen next. And while hysterically funny at times, it is extremely sobering at others, ending with gut shot as Lee ties it all together with the recent onslaught of white supremacist activity seen in Charlottesville. A

Christopher Robin
Rated PG for some action
Rotten Tomatoes Score: 71%
Available on Disc and Streaming
Set years after Christopher Robin played with Pooh, Tigger and gang as a child, Ewan McGregor plays the iconic child as an adult who can’t even find time to play with his daughter any more. But when Pooh goes on a mission to find him in London, Christopher finds his way home to the Hundred Acre Wood for an important life lesson. While a cute and cuddly idea, the plot is so purposefully basic that it leaves much to be desired in the story department. It is quite clever to have all of the creatures as they looked in their original stuffed form, but I can’t help but think that they needed a better story than this. I’ve always found the Pooh stories to be a bit on the dull side, almost as if the writers were as lazy as Pooh himself, but I wish that the filmmakers would have spiced things up much more than they did here. B-

Popcorn Perspectives – Week of October 29, 2018

Popcorn Perspectives with Danny Minton

Week of October 29, 2018

Sorry to Bother You
Rated R for pervasive language, some strong sexual content, graphic nudity, and drug use
Rotten Tomatoes Score: 93%
Available on Disc and Streaming
This Sundance favorite follows an ambitious but undereducated poor young black man who discovers the secret to success by using an overly white voice during his telemarketing job. But as his success starts to mount, the lifestyle he works his way into becomes a giant rabbit hole with little dream of a way out. What starts out as an hysterical social comedy evolves into a strange and perverse fantasy that works mostly because you don’t see it coming. To say more would take away the surprise, and this film works best off of surprise. It is refreshing to see such a bold vision from a relatively unknown writer/director in Boots Riley and such a talented up-and-coming cast. The creativity here is off the charts and the cast just goes along with it likes its a normal script, making the unbelievable tale work that much better. Sure it’s obscure and surreal, and not for everyone, and I’m not really certain what the overall message is that is trying to be conveyed, but I sure did enjoy the fantasy. A-

Teen Titans Go!  To the Movies
Rated PG for action and rude humor
Rotten Tomatoes Score: 91%
Available on Disc and Streaming
This movie version of the Cartoon Network hit follows the less-respected DC superheroes Robin, Starfire, Cyborg, Raven and Beast Boy as they desperately attempt to become A-list heroes rather than sidekicks. When a maniacal supervillain uses his vain ambition in an attempt to take over the world, they must step up to the plate and prove their worth. The story here isn’t going to impress many folks, but what has won over the relatively small audience who saw this in theaters is the super-strong writing full of jokes that hit over and over again. The filmmakers were able to tap into a wealth of comedy success, almost making it look easy. This creates an environment which is enjoyable for both kids and adults. But mostly kids. I took my eight-year-old and while I did have fun, he had an absolute blast. B

Popcorn Perspectives – Week of October 15, 2018

Popcorn Perspectives with Danny Minton

Week of October 15, 2018

Ant-Man and the Wasp
Rated PG-13 for some sci-fi action and violence
Rotten Tomatoes Score: 88%
Available on Disc and Streaming
With the moderate success of Ant-Man, Marvel added a second feature, this time with his new side-kick and love interest The Wasp. Paul Rudd and Evangeline Lilly star as the titular team, along with Michael Douglas as the dad/boss as they go searching for The Wasp’s mother, and original Wasp, played by Michelle Pfeiffer. Her you get a healthy dose of back story and a somewhat fun adventure to bide your time in between the big Marvel tentpoles. As you’d expect, the film has some exciting and rather funny big set pieces with lots of humor and mild drama thrown in the gaps. Paul Rudd has always been the perfect choice for this role and any lack of substance is quickly made up with his charm and wit. And while I love Evangeline Lilly, her role here is too much the straight man, which is especially sad since the film is basically about her. The film just feels like a minor movie and definitely not quite the blockbuster type. But it did make an impressive amount of money at the box office and it has certainly won over a lot of fans, so they are obviously doing something right. B-

The Evil Dead 4K
Not Rated but would be strong R
Rotten Tomatoes Score: 95%
Available on Disc and Streaming
Just in time for Halloween is this 4K restoration of the classic 1981 horror film by Sam Raimi. The ultra low-budget film which started the franchise stars Bruce Campbell as he and classmates make an unplanned stopover gone wrong at an abandoned cabin in the woods. The film came to notoriety due to its humor mixed with gore, which later led to the sequels and television series which got even funnier and twistier over the years. The new 4k version looks and sounds as good as it can (it was originally shot on 16mm after all) but the fun and horror will bring back fond memories for some and maybe even find some new fans. Also available this week is the complete collection of the Ash vs Evil Dead series from Starz which furthers the adventures of Bruce Campbell’s character, Ash, as he attempts to save the world from the evil within. A-

Popcorn Perspectives with Danny Minton – Week of October 8, 2018

Popcorn Perspectives with Danny Minton

Week of October 8, 2018

First Man
Rated PG-13 for some thematic content involving peril, and brief strong language
Rotten Tomatoes Score: 88%
In Theaters
From the Oscar-winning director of La La Land, Damien Chazelle, and executive producer Steven Spielberg, comes this retelling of the early days of the Nasa space program, culminating in Neil Armstrong’s iconic landing on the moon. Unlike most previous versions we’ve seen of this legendary piece of history, this narrative focuses on one man and what he had to go through to accomplish the impossible. Ryan Gosling reteams with Chazelle as the iconic Armstrong, a character from history who is as famous as any American, but whom we know little about. Using modern special effects with a visionary young filmmaker at the helm, the story comes off as both fresh and relevant while at the same time monumental. My only disappointment is in the disconnected score by Justin Hurwitz, who created amazing music for La La Land and Whiplash, but just couldn’t pull off the score needed to propel this movie to true greatness. But even with mediocre music, the film still manages a successful lift off, making you feel like you are a part of one of America’s greatest accomplishments. A-

Rated PG-13 for sequences of gun violence and action, and for brief strong language
Rotten Tomatoes Score: 46%
Available on Disc and Streaming
Dwayne “The Rock” Johnson stars in this Die Hard knock off about a security expert who must come to the rescue of his family when they are trapped in Hong Kong high-rise after a terrorist attack. Sure the plot is thin, but the action is huge as Johnson, once again playing the hero with a heart of pure gold, sets out to do anything to rescue his family. So while it’s nothing you haven’t seen before, this variation on a theme does provide some movie comfort movie food which is certain to entertain a large portion of viewers. I can’t say it’s my style, but it certainly isn’t horrible or anything you’ll be embarrassed about for enjoying. C+

NR, but would be a strong R
Rotten Tomatoes Score: 28%
Available on Disc and Streaming
This look at the famous sculptor’s life shows the careful balance between his art, his warm relationship with his lifelong partner, Rose Beuret, and his passionate affair with his mistress and student Camille Claudel. It is unfortunate that the film comes off as cold and disjointed rather than passionate and truthful like Rodin’s art. I enjoyed seeing the artist at work, and even some of his moments of play, but the narrative just sits and stalls, never really accomplishing the masterpiece it tries to be. C

Popcorn Perspectives with Danny Minton – Week of October 1, 2018

Popcorn Perspectives with Danny Minton

Week of October 1, 2018

A Star is Born
Rated R for language throughout, some sexuality/nudity and substance abuse
Rotten Tomatoes Score: 95%
In Theaters
Bradly Cooper here does a little showing off as writer, director and star of this new take on the tragic love story. Cooper here plays a well-known singer who gets through his days with the help of drugs and alcohol. But when he runs into a talented singer/songwriter, played by Lady Gaga, in a late night bar visit, he quickly falls in love and in the process gives his new girl a boost to her musical career. While I didn’t find the film to be an experience I want to duplicate, I did leave with a huge appreciation for talents I would have never attributed to Cooper. Sure he is a great actor, but the guy can sing, direct and write like a master. And he generously allows Lady Gaga to shine in a role that steals the show and might even give the film the biggest chance for Oscar buzz. For anyone who has ever been deeply effected by a loved one with substance addiction, the film has the potential to take you to dark places that are beyond uncomfortable as Cooper all too realistically portrays this. But while the darkness and sadness take over the story, the music does find a way to elevate emotions to counter the drama. B+

Leave No Trace
Rated PG for thematic material throughout
Rotten Tomatoes Score: 100%
Available on Disc and Streaming
Ben Foster plays a veteran who has taken his teenage daughter, played by fantastic newcomer Thomasin McKenzie, off the grid to live in the woods of Oregon. But when they are discovered by authorities, the two of them are placed in social services where they must decide to either assimilate or make their way back to the wild. This is a tough, authentic drama with rich performances that really pull on your heart. And with 185 reviews in, it has actually remained at a 100% Rotten Tomatoes score which is an almost impossible feat in itself. And while it has a PG rating, I wouldn’t call it a family film. It is simply an adult film with zero in the way of objectionable material, which is completely unique in this day and age. A-

Three Identical Strangers
Rated PG-13 for some mature thematic material
Rotten Tomatoes Score: 97%
Available on Disc and Streaming
In 1980, three young adopted men in New York discover that they were identical triplets, separated from birth and given to thee different families. Years later they start to understand why. This documentary follows the unbelievable and almost inconceivable true story in a way that moves from pure joy to fascination to despair. It’s a story that I’m glad I was able to experience, but one which you almost wish was untrue afterward. In a year full of absolutely incredible documentaries, this is truly one of the best and one that you will be recommending to friends long after you’ve seen it. A

The First Purge
Rated R for strong disturbing violence throughout, pervasive language, some sexuality and drug use
Rotten Tomatoes Score: 54%
Available on Disc and Streaming
This prequel to the hit horror franchise follows the first purge experiment where the government makes all crime legal for one night, in the hopes that they can thin the herd of urban Americans. While the movies in this series have come off as more cheesy and cheap horror than riveting narrative, I’ve always thought that the basic story here could make for a pretty fantastic look at our society and where it could be heading. With this prequel to the other three mediocre films, I was actually holding out hope that they could deliver a story that would almost serve as a warning rather than just a few scares and lots of blood. Unfortunately, the filmmakers took the path of quick and easy violence rather than a shot across the bow. The script and the acting are the only horrific acts on display here and any potential for redemption for the franchise’s past mistakes is unfortunately left for dead. C-